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Feodor Vasilyev.  Biography, creativity.
Feodor Vasilyev Biography, creativity.
   Feodor Vasilyev
Biography, creativity.
Tanais Gallery.

 

Feodor Vasilyev

«I paint every picture with my blood and sweat rather than colours; every picture gives me nothing but pains. It is because I am fully, almost tangibly aware of the drawbacks of my pictures and realize, quite as clearly, what must be done, yet I cannot do what I could do, since the circumstances have not, so far, allowed me to be the master of my work and time...
Many would be frightened of that huge purpose, which I have decided either to achieve, or to die»
(Feodor Vasilyev).                        

About creativity the Feodor Aleksandrovich Vasilyev.

«He studied so, that it seemed, as if he lives in other time and that he still has something for a long time forgotten only to remember. He worked passionately; apathy and absent-mindedness did not rush to him when in hands there was a pencil, or is more correct, - mechanically, without participation of heart, he work could not» (Ivan Kramskoy).

"He is generous was gifted with mighty and perfect talent. The strange force of feeling and paints was owned by he in art" (inscription on a tomb).

«Young, strong, only five years lived as the artist who has reached height enormous. He discovered for us the Sky, he has opened the wet, light, driving sky and those of charm of a landscape which he has expressed in one hundred pictures» (Nikolay Ge).



The alphabetic index and the chronological index

Biography

Feodor Vasilyev was born to a low-level government official, Alexander Vasilyevich Vasilyev, and Olga Emelyanova Polyntseva on 22 February N.S. 1850. His parents married four years later, so he was always considered an illegitimate child. Feodor had to earn his living from the age of 12 – he worked as a mailman, scribe, and assistant to a restorer of pictures. After his father’s untimely death, he became the sole supporter of the family.

In 1863, he managed to enter the evening classes of the School of Painting at the Society for Promotion of Artists (Russian: Школа Поощрения Художеств). While at school, Vasilyev got acquainted with many painters, who took care of him.

In 1866 famous landscape painter Ivan Shishkin fell in love with Feodor's sister Eugenia Vassilyev. Shishkin became acquainted with Feodor and started to teach him landscape painting. From July to November 1867 Shishkin and Vassilyev worked together on island of Valaam. Some places on Valaam were subjects of both artist's paintings. Later Shishkin introduced Feodor to Ivan Kramskoi, Ilya Repin, and art collectors Pavel Mikhailovich Tretyakov and Pavel Sergeevich Stroganov.

In Vasilyev’s early works, such as After a Thunderstorm (1868), “Near a Watering Place” (1868) and others, one can feel the influence of the Barbizon school; it affected his art but never resulted in a non-creative borrowing of the motifs. Though, at first, Vasilyev was somewhat inferior technically to the Barbizon painters, most critics agree that he eventually found his own way of handling the subject. “After a Rain” (1869) and “After a Rain. Country Road” exceed in many respects the Barbizon stormy scenes in their expressiveness and deeply national sound. In 1870, Vasilyev traveled on the Volga with Ilya Repin, the picture “Volga View. Barges” (1870) was a great success. In 1870 he became a member of Peredvizhniki movement (one of the original twenty members).

In 1871, Vasilyev painted Thaw (1871), which made him famous immediately. The tzar family's (Prince Alexander, future Alexander III of Russia), ordered a copy, and the Society for Promotion of Artists awarded him first prize. Later Prince Alexander's copy was exponated on the 1872 London World Fair and won a medal. Vasilyev was admitted, as an intern, to the Imperial Academy of Arts (which, among other things, gave him an exception from conscription to the Army).

The "boy genius", as he was called in the artistic circles of Russia, had no time to enjoy his popularity – he was diagnosed with tuberculosis and had to leave St. Petersburg forever. He moved to Crimea. The Society for Promotion of Artists sponsored his stay there, but he was obliged to pay with his paintings.

Vasilyev could not get used to the new scenery. He went on to paint the Russian plains; his works, such as his masterpiece Wet Meadow (1872), were done from memory, old sketches and his imagination. After some time Vasilyev started to draw Crimea, gradually beginning to feel the attraction to its mountain views. In the Mountains of the Crimea (1873) was an outstanding work and the last work of the artist.

He died in Yalta on October 6 N.S. 1873 at the age of 23. His posthumous exhibition in Saint Petersburg was a great success, and all his works were sold prior to the exhibition. His works had a strong influence on the next generation of Russian landscape painters. Nikolay Ge said, He discovered for us the Sky. Many art historians emphasize Fedor Vasilyev's influence on Isaac Levitan, Valentin Serov, Viktor Borisov-Musatov.

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