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Gay Nikolay Nikolaevich (1831-1894).
The Peredvizhnik.All creative life preached beauty. Has brought in the huge contribution to development of realistic painting: portrait and landscape genres. Alexander Benua considered, that on all cloths of Nickolay Gay " the reflection of noble soul of their author " lays.
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 |  |  | Kramskoy Ivan Nikolaevich (1837-1887).
The Peredvizhnik.One of best painters of Russia of the second half of the 19th century, a remarkable art critic and theoretician of art, a talented teacher. The outstanding public figure. The ideological leader and main organizer of the Itinerants’ Society of Traveling Exhibitions (the Peredvizhniki), which had played an important part in the development of art in Russia. |
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 |  |  | Kuindzhi Arkhip Ivanovich. (1841-1910). The Peredvizhnik. Kuindzhi named the singer of open spaces and light. He has returned to a landscape enthusiastic feeling of beauty and extraordinariness of the world. «Illusion of light was his god, and there was no the artist equal to him in achievement of this miracle of painting. Kuindzhi - the artist of light», - wrote Repin. |
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 |  |  | Levitan Isaac Ilich. (1861-1900).
The Peredvizhnik. Levitan «felt that lives in the nature and praises the Founder; heard the sensitive ear as heart of the nature» (Benua) fights. Disclosing of «secret secret» in the nature, its big spiritual maintenance was Levitan's constant aspiration on all extent of its short creative life. |
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Makovsky, Konstantin Yegorovich.
(1839 – 1915).
The Peredvizhnik.
He is also the representative of academism.
The fashionable author of portraits and historical pictures who basically demonstrate the idealized sight on life in former Russia.
Many critics-democrats considered that he creates amazing, but superficial works whereas others saw in it of a harbinger of Russian impressionism.
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Myasoyedov, Grigory Grigoryevich.
(1834 – 1911).
The Peredvizhnik.
There were one of organizers and the most active figures "Associations of peredvizhniki", having won even reputation "conscience of peredvizhniki".
Has entered into tradition first of all as the master of a sharp critical rural genre.
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 |  |  | Perov Vasily Grigorievich. (1834-1882).
The Peredvizhnik. One of the organizers of the Itinerants’ Society of Travelling Art Exhibitions (the Peredvizhniki). His creativity was by a push for development of critical realism in Russian painting. In his products the features of Russian critical realism by this time were brightly showed. The mature foreman of a household genre and deep psychologist, Perov acts in a line of cases both as thin painter and as the author of outstanding portraits. |
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 |  |  | Polenov Vasily Dmitrievich.
(1844-1927). The Peredvizhnik.
Polenov was the bright versatile artist with the broad audience of creative interests. His landscapes are filled by the truth, thin musical lyricism and the most graceful technics. But he considered as «the main work of the life» a series «The Life of Christ». |
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 |  |  | Repin Ilya Efimovich. (1844-1930).
The Peredvizhnik. Has connected strong tradition of realism of 19 centuries to innovations of a boundary of centuries, having won glory the cloths excited public consciousness. The virtuoso different the art, Repin has proved and as the high-gifted teacher. |
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 |  |  | Savrasov Alexey Kondratyevich. (1830-1897).
The Peredvizhnik. Savrasov was a delicate lyric-man, the originator of the so-called ‘mood landscape’. His best pictures were like Russian poetry and pieces of Chaickovsky's music. «Savrasov tried to find and in the most simple and ordinary those intimate, deeply touching, often sad features which so are strongly felt in our native landscape and so irresistably act on soul» (Levitan). |
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 |  |  | Serov Valentin Aleksandrovich. (1865-1911).
The Peredvizhnik. Painters and diagram.Glorified Russian portraitist and one of the largest foremen of the European painting of ÕIÕ century.Having begun the creative way as the Peredvizhnik, Serov went from naturalism to reserve of art language through impressionism, "Mir iskusstva", modernist style, and in many respects has determined art shape of the time. |
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 |  |  | Shishkin Ivan Ivanovich. (1832-1898).The Peredvizhnik. Not only one of the largest, but also hardly probable not the most popular among Russian landscape writers. In it I.K.Aivazovsky can compete to it only. Shishkin knew Russian nature in «the scientific image» (I.N. Kramskoy) and loved it with all force of the mighty nature. |
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 |  |  | Surikov Vasily Ivanovich.
(1848-1916).The Peredvizhnik.
Surikov has become history of Russian art first of all as the historical painter. In the products it has shown history, «done and movable by people». |
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 |  |  | Vasnetsov Victor Mihajlovich. (1848-1926).The Peredvizhnik.In the first period of the creativity follows principles a socially-critical genre of the Peredvizhniki. Subsequently, addressing to themes of folklore mythology, considerably reforms Russian historical genre. Its «epic» creativity brightly expresses «new Russian style».The Vasnetsov too is the religious artist, trying to learn sacred and eternal in life. |
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Yaroshenko, Nikolay Alexandrovich.
(1846 – 1898).
The Peredvizhnik.
The master of a social genre and portrait.
Has won to itself a name the very expressive picturesque compositions appealing to sympathy for the world socially-outcast.
Protest pathos expressed in images «new people» or in genre motives of social violence.
His brushes also belong both more major and pacified images of national life
During the last two decades of the 19th century, he was one of the leading painters of Russian realism.
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